KRISANNE JOHNSON: Swaziland

Photograph (c) Krisanne Johnson /All Rights Reserved

from the series I Love You Real Fast
Photograph (c) Krisanne Johnson /All Rights Reserved

from the series I Love You Real Fast
Photograph (c) Krisanne Johnson /All Rights Reserved

from the series I Love You Real Fast
Photograph (c) Krisanne Johnson /All Rights Reserved

I Love You Real Fast, by Krisanne Johnson, is a photography project documenting the coming of age rites of young women amid the HIV/AIDS epidemic in Swaziland. "Coming of age for Swazi girls is tough. A tiny African kingdom of 1 million, Swaziland reports the highest percentage of HIV positive people in the world, with the hardest hit being women aged 15-29." This project is a work in progress.

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Krisanne Johnson is looking for further support for I Love You Real Fast through Kickstarter. Pledge $10. or more and receive exclusive updates on the project. Pledge $50. or more and receive a handmade Swazi holiday grass ornament from Gone Rural Swaziland + exclusive updates on this project. Pledge $100. or more and receive an 8x10" print...Pledge $500. for a signed 11x14" archival print of your choice from the project, the handmade grass ornament and exclusive updates on the project. By funding this project, you are directly supporting women in Swaziland.

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PLAY THE VIDEO

The VIDEO was produced by Magnum in Motion
The Magnum Foundation Emergency Fund

ZWELETHU MTHETHWA: An Interview With Larissa Leclair

from the “Interiors” series
Photograph (c) Zwelethu Mthethwa /All Rights Reserved

From the series Sugar Cane, 2006
Photograph (c) Zwelethu Mthethwa /All Rights Reserved

from the “Interiors” series
Photograph (c) Zwelethu Mthethwa /All Rights Reserved

Aug 1st Last Day to Enter
Flak Photo Zwelethu Mthethwa Book Give-Away!
Enter Here!

Larissa Leclair teamed with Flak Photo's Weekend series featuring photographs by Zwelethu Mthethwa. Larissa corresponded with Zwelethu as he prepared to travel from South Africa to the U.S. for the opening of “Inner Views” at the Studio Museum in Harlem, July 15-Oct 24. They talked about his monograph, his Sugar Cane series, the South African photography community, and about the current show at the Studio Museum in Harlem. Below is an excerpt from their Interview courtesy of Larissa Leclair.

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LL: Your work as a whole addresses the economic and political reality of marginalized communities primarily in South Africa. Can you talk about your personal interest in these communities and professions (miners, sugarcane workers, etc.). Are you personally an outsider or is there more of a connection to these people and circumstances -politically, economically, culturally?

ZM: The work is about my personal history and personal observation. I grew up in contact with these different communities all the time. I was always interested in how the migrant workers would be ostracized from the main community, which was the community that I came from. The migrant workers were always seen as “the other” – they looked different, talked different, dressed different – they were just so different. As a kid I was curious to understand the dynamics of these differences, mainly because we were all black, I assumed we were all the same. Growing up as an artist I came to realize that I was also an outsider because with my views on life I probably didn’t belong to any of the communities, even the mainstream community.

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My first attraction to the sugar cane workers was that they were wearing skirts, and that they looked to me like Samurai warriors. I then found out that, not only were they wearing skirts, but also many other layers of clothing. This was odd to me because Durban is an incredibly hot and humid area. I thought they must be crazy to be wearing so many clothes and still doing manual labor. I discovered, through speaking with them, that the reason was to protect themselves from the burning ground and soot (sugar cane is burnt before harvested); from the very sharp leaves of the cane; and also from the many snakes that like to live in sugar cane fields. The most difficult part of taking these photographs was stopping them from working. These guys are paid according to the weight of sugar cane that they harvest; there is no hourly rate. I felt guilty that I was interrupting and taking their money away from them by asking them to pose for me. So this forced me to move in and out as quickly as possible, interrupting their flow of production as little as possible.

Read The Entire Interview Here

Zwelethu Mthethwa: Inner Views
Exhibition July 15-October 24, 2010

The Studio Museum in Harlem
144 West 125th Street, NYC

ZWELETHU MTHETHWA: Flak Photo Weekend

Zwelethu Mthethwa Monograph from The Aperture Foundation
Flak Photo is giving away 3 copies of this book to their Facebook fans!
Exhibition The Studio Museum in Harlem July 15-Oct 24, 2010

From the series Sugar Cane, 2003
Photograph (c) Zwelethu Mthethwa /All Rights Reserved

From the series Sugar Cane, 2007

Photograph (c) Zwelethu Mthethwa /All Rights Reserved

Untitled
Photograph (c) Zwelethu Mthethwa /All Rights Reserved

From the series Interiors, documenting the domestic lives of migrant workers around Johannesburg, South Africa. Photograph (c) Zwelethu Mthethwa /All Rights Reserved

Flak Photo July Weekend features work of South African photographer, Zwelethu Mthethwa. There's a link to the beautiful Photographer Video's. Worth the time to view or just listen to them. And incredibly Flak Photo is giving away 3 copies of the book to their Facebook fans! Join here

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"Since Apartheid's fall in 1994, South African photography has exploded from the grip of censorship onto the world stage. A key figure in this movement is Zwelethu Mthethwa, whose portraits powerfully frame black South Africans as dignified and defiant individuals, even under the duress of social and economic hardship.

Photographing in urban and rural industrial landscapes, Mthethwa documents a range of aspects in present-day South Africa, from domestic life and the environment to landscape and labor issues. His stunning portraits often portray rural immigrants on the margins of South African cities, revealing the efforts of his subjects to maintain their cultural identities through their choices in clothing, and the decoration of their dwellings. His singular oeuvre challenges both traditional conventions of African commercial studio photography and Western documentary work, marking a transition away from the typical exoticized images that encapsulate what curator Okwui Enwezor describes as "afro pessimism."

Zwelethu Mthethwa: Inner Views
Exhibition July 15-October 24, 2010

The Studio Museum in Harlem
144 West 125th Street, NYC

‎"La Conquista de La Copa Mundial"One World...One Cup (Photographers in Peril part 7)

Andrés Iniesta Tribute WALLPAPER by George Pontino Jr (Free to Download and Share...Click to enlarge)


The Making of the Original Image


Pre-World Cup Championship Tribute

The World Cup fever has come to absolute heights.
The best way to end it is to give tribute to it by a memorable photomanipulation. Using some photos I took of my fellow photographers, some personal photos of photography hobbyists taken from Facebook and stock images, for 3 hours I created this image with such glee and enthusiasm.
I made also a soccer goal in the image of Paul the Psychic Octopus, the oracle animal that has been used to predict World Cup game wins. Words can't describe my feeling on how I came up with the idea. Honestly, I had a hard time thinking on this for days but a last moment flicker of an idea bulb led me to create satisfying output. Hope all of you World Cup fans out there will like this one and share this to friends. Viva! =) Lead stars are Mike Mendoza (Kubo Photography Group member) as the Spanish footballer Andrés Iniesta and Raffy De la Cruz as the goalie. Cameo roles are Ron Velarde (my partner in Vision Team Photovid Studios), Jaevi Agahan, Jenice Dela Cruz-Ecalnir, Arim Isme of Indonesia, Lord Jun Bonache (photo taken by Jomi Garuccho) of Bacolod, Karlo Panahon and Kubo Photogroup members Robert Almario Aka Batman, Anthony de Guzman,Ferlito de los Santos and Derick Mallete.