I met Kristofer at the recent ASMPNY Fine Art Portfolio Review. Check out his 'SPACE' vimeo above and view his 'YEARBOOK' series. Watch for an exhibition in Sweden's Smalands Museum 9/15/11 thru 1/15/12.
Friday, March 4, 2011
KRISTOFER DAN-BERGMAN: Space | Yearbook
I met Kristofer at the recent ASMPNY Fine Art Portfolio Review. Check out his 'SPACE' vimeo above and view his 'YEARBOOK' series. Watch for an exhibition in Sweden's Smalands Museum 9/15/11 thru 1/15/12.
Thursday, August 12, 2010
TIBETAN ARTISTS TRANSFORMED: Gonkar Gyatso & Losang Gyatso at The Rubin Museum
"Gonyar Gyatso's photographic series My Identity is emblematic of the artist´s major ideological shifts across national, political and stylistic borders that constitute “Tibet.” The series portrays a thangka painter at work, seated before a canvas looking out at the viewer, but each time the context is radically different." The series is in Tradition Transformed: Tibetan Artists Respond at the The Rubin Museum of Art through October 18.
My Identity No. 1, 2003Gyatso's art has been exhibited in galleries and museums worldwide, including in China, India, Scotland, The Netherlands, and the United States. Works by Gyatso are held in such institutions as the Pitt Rivers Museum at the University of Oxford, the Queensland Gallery of Modern Art in Australia, the Burger Collection in Switzerland, the Red Gate Gallery in Beijing, and the Newark Museum in New Jersey, as well as in numerous private collections.
Having lived throughout Asia and in the West, Gyatso's art proposes insightful statements on the cultural hybridism of globalization as well as the sea changes yet to come. (Thyssen-Bornemisza Art Contemporary)

Losang Gyatso was born in Tibet "when one could walk around Lhasa without running into a single Chinese" and grew up mainly in Britain, where he attended secondary schools during the era of the Beatles and Vietnam, the moon landing and Vietnam. Returning to a Tibetan refugee community in India, he studied Tibetan painting for two years, before arriving in the United States in 1974. He studied advertising in San Francisco, and then worked as a Creative Director for major ad agencies in New York City in the 80s and early 90s.
Losang Gyatso played a major role as the Lord Chamberlain Phala in Martin Scorsese's film, "Kundun", about the life of the 14th Dalai Lama.In an effort to create a network for Tibetan artists, Losang founded a website and is the current Director of the Mechak Center for Contemporary Tibetan Art, which includes artist inside and outside of Tibet. He has exhibited widely in the US and Europe, and lives outside Washington D.C.
Tradition Transformed: Tibetan Artists Respond
The Rubin Museum of Art
Friday, July 30, 2010
ZWELETHU MTHETHWA: An Interview With Larissa Leclair
LL: Your work as a whole addresses the economic and political reality of marginalized communities primarily in South Africa. Can you talk about your personal interest in these communities and professions (miners, sugarcane workers, etc.). Are you personally an outsider or is there more of a connection to these people and circumstances -politically, economically, culturally?
ZM: The work is about my personal history and personal observation. I grew up in contact with these different communities all the time. I was always interested in how the migrant workers would be ostracized from the main community, which was the community that I came from. The migrant workers were always seen as “the other” – they looked different, talked different, dressed different – they were just so different. As a kid I was curious to understand the dynamics of these differences, mainly because we were all black, I assumed we were all the same. Growing up as an artist I came to realize that I was also an outsider because with my views on life I probably didn’t belong to any of the communities, even the mainstream community.
My first attraction to the sugar cane workers was that they were wearing skirts, and that they looked to me like Samurai warriors. I then found out that, not only were they wearing skirts, but also many other layers of clothing. This was odd to me because Durban is an incredibly hot and humid area. I thought they must be crazy to be wearing so many clothes and still doing manual labor. I discovered, through speaking with them, that the reason was to protect themselves from the burning ground and soot (sugar cane is burnt before harvested); from the very sharp leaves of the cane; and also from the many snakes that like to live in sugar cane fields. The most difficult part of taking these photographs was stopping them from working. These guys are paid according to the weight of sugar cane that they harvest; there is no hourly rate. I felt guilty that I was interrupting and taking their money away from them by asking them to pose for me. So this forced me to move in and out as quickly as possible, interrupting their flow of production as little as possible.
Exhibition July 15-October 24, 2010
144 West 125th Street, NYC
Saturday, July 17, 2010
ZWELETHU MTHETHWA: Flak Photo Weekend
Zwelethu Mthethwa Monograph from The Aperture FoundationFlak Photo is giving away 3 copies of this book to their Facebook fans!
Exhibition The Studio Museum in Harlem July 15-Oct 24, 2010
From the series Interiors, documenting the domestic lives of migrant workers around Johannesburg, South Africa. Photograph (c) Zwelethu Mthethwa /All Rights Reserved"Since Apartheid's fall in 1994, South African photography has exploded from the grip of censorship onto the world stage. A key figure in this movement is Zwelethu Mthethwa, whose portraits powerfully frame black South Africans as dignified and defiant individuals, even under the duress of social and economic hardship.
Photographing in urban and rural industrial landscapes, Mthethwa documents a range of aspects in present-day South Africa, from domestic life and the environment to landscape and labor issues. His stunning portraits often portray rural immigrants on the margins of South African cities, revealing the efforts of his subjects to maintain their cultural identities through their choices in clothing, and the decoration of their dwellings. His singular oeuvre challenges both traditional conventions of African commercial studio photography and Western documentary work, marking a transition away from the typical exoticized images that encapsulate what curator Okwui Enwezor describes as "afro pessimism."
Exhibition July 15-October 24, 2010
Thursday, July 15, 2010
CAMILLE SILVY: 19th Century Modern Life
Adelina Patti as La Somnambula, 1880-1881.(Patti was a highly acclaimed Opera diva of the time)
Photograph (c) National Portrait Gallery, London
Sarah Forbes Bonetta Davies, Goddaughter of Queen Victoria, with her husband James Pinson Labulo Davies. September 15, 1862. Photograph (c) National Portrait Gallery, London
Henry Ker Seymer's Dog, 1860(HKS was a Member of Parliament for Dorset)
Photograph (c) National Portrait Gallery, London
Photographer of Modern Life: 1834-1910
This exhibition includes many remarkable images which have not been exhibited since the 1860s. The over 100 images, including a large number of carte de visites, focus on a ten-year creative burst from 1857-67 working in Algiers, rural France, Paris and London, and illustrates how Silvy pioneered many now familiar branches of the medium including theatre, fashion and street photography."
Monday, June 21, 2010
INEZ VAN LAMSWEERDE & VINOODH MATADIN: FOAM Fotografiemuseum
Me Kissing Vinoodh (Passionately), 1999Photograph©Inez van Lamsweerde and Vinoodh Matadin/All rights reserved
Clint Eastwood – The New York Times Magazine, 2005Photograph©Inez van Lamsweerde and Vinoodh Matadin/All rights reserved
PRETTY MUCH EVERYTHING: PHOTOGRAPHS 1985-2010
FOAM FOTOGRAFIEMUSEUM AMSTERDAM
June 25-Sept 15, 2010
Wednesday, April 21, 2010
RIJKSMUSEUM: Radiant Madonnas April 21
A restorer works on the painting Ariadne on Naxos (16th century), by the Italian painter Girolamo dai Libri, in the studio of the Rijksmuseum in Amsterdam, the Netherlands. Photograph©EPA/MARCEL ANTONISSE."The Rijksmuseum, in Amsterdam, has launched an ambitious restoration program. Masterpieces specially selected from their collection will undergo an intensive restoration process to ensure that they shine like never before by the time the museum’s main building re-opens in 2013...The initial results of this work go on display April 21, 2010 in the Philips Wing where the Rijksmuseum will be exhibiting the Radiant Madonnas – three round Italian Renaissance paintings that have been restored with the help of the latest research methods and will be presented as ‘reborn acquisitions from the museum’s own collection’."
Inez van Lamsweerde, Vinoodh Matadin and Eugene van Lamsweerde



















