Showing posts with label Museum Exhibition. Show all posts
Showing posts with label Museum Exhibition. Show all posts

Friday, March 4, 2011

KRISTOFER DAN-BERGMAN: Space | Yearbook



from 'Yearbook' series
Photograph (c) Kristofer Dan-Bergman

from 'Yearbook' series
Photograph (c) Kristofer Dan-Bergman


Kristofer Dan-Bergman is a Swedish born photographer who lives and works in New York. His projects include documentary, fine arts, editorial and commercial work. Photography has allowed Kristofer to meet and photograph people he would most likely never have encountered otherwise. Former President and First Lady, Bill and Hillary Clinton, Lauren Bacall, Muhammad Ali, Joan Baez and Noble Peace Prize Award Winner, Desmond Tutu, have all sat on the other side of Kristofer’s lens.

I met Kristofer at the recent ASMPNY Fine Art Portfolio Review.
Check out his 'SPACE' vimeo above and view his 'YEARBOOK' series. Watch for an exhibition in Sweden's Smalands Museum 9/15/11 thru 1/15/12.

Thursday, August 12, 2010

TIBETAN ARTISTS TRANSFORMED: Gonkar Gyatso & Losang Gyatso at The Rubin Museum


"Gonyar Gyatso's photographic series My Identity is emblematic of the artist´s major ideological shifts across national, political and stylistic borders that constitute “Tibet.” The series portrays a thangka painter at work, seated before a canvas looking out at the viewer, but each time the context is radically different." The series is in
Tradition Transformed: Tibetan Artists Respond at the The Rubin Museum of Art through October 18.

My Identity No. 1, 2003

The first image of four depicts Gyatso dressed in a traditional Tibetan robe drawing a devotional Buddha figure.

My Identity No. 2, 2003

In the second image Gyatso is dressed as a Communist Chinese painter rendering an image of Mao Tse-Tung.

My Identity No. 3, 2003

In the third image Gyatso is dressed as a contemporary refugee artist painting the Potala Palace, chief residence of the Dalai Lama before he fled to Dharamsala.


My Identity No. 4, 2003

The fourth image shows the contemporary Gyatso sitting in a modern flat in the act of creating abstract art. Photographs (c) Gonkar Gyatso /All Rights Reserved

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Gonkar Gyatso was born in 1961 in Lhasa, Tibet. After he studied fine art in Beijing, in the early ´80s he returned to Lhasa where he came into contact with the Dalai Lama’s speeches. These led him to question the truthfulness of the history he was taught as the son of governmental officers and he became acquainted with Tibetan Buddhism. He later went on a self-imposed refugee in Dharamsala, center of the Dalai Lama's Tibetan government in exile, and finally emigrated to London, where he currently lives and works.

Gyatso's art has been exhibited in galleries and museums worldwide, including in China, India, Scotland, The Netherlands, and the United States. Works by Gyatso are held in such institutions as the Pitt Rivers Museum at the University of Oxford, the Queensland Gallery of Modern Art in Australia, the Burger Collection in Switzerland, the Red Gate Gallery in Beijing, and the Newark Museum in New Jersey, as well as in numerous private collections.

Having lived throughout Asia and in the West, Gyatso's art proposes insightful statements on the cultural hybridism of globalization as well as the sea changes yet to come. (Thyssen-Bornemisza Art Contemporary)



Losang Gyatso was born in Tibet "when one could walk around Lhasa without running into a single Chinese" and grew up mainly in Britain, where he attended secondary schools during the era of the Beatles and Vietnam, the moon landing and Vietnam. Returning to a Tibetan refugee community in India, he studied Tibetan painting for two years, before arriving in the United States in 1974. He studied advertising in San Francisco, and then worked as a Creative Director for major ad agencies in New York City in the 80s and early 90s.

Losang Gyatso played a major role as the Lord Chamberlain Phala in Martin Scorsese's film, "Kundun", about the life of the 14th Dalai Lama.


Clearlight Tara by Losang Gyatso
The Rubin Museum of Art

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I knew contemporary artist Losang Gyatso for many years when he was one NYC's top advertising executives, winning awards like the Clio's, Addy's and the One show. He was the first to successfully sign and direct Whitney Houston in major commercials for Coca Cola. He began making artwork around 1990 and over the years has also designed several books on Tibet, created identity logos for Tibetan organizations such as International Campaign for Tibet, Students for a Free Tibet, Tibetan Center for Human Rights and Democracy, Tibet Fund, and opened Tibetan restaurants in San Francisco and New York City, as well as playing a major role in Martin Scorsese's movie Kundun!

In an effort to create a network for Tibetan artists, Losang founded a website and is the current Director of the Mechak Center for Contemporary Tibetan Art, which includes artist inside and outside of Tibet. He has exhibited widely in the US and Europe, and lives outside Washington D.C.

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Tradition Transformed: Tibetan Artists Respond marks the first exhibition of contemporary Tibetan art in a New York City museum. The nine Tibetan artists featured in the Rubin Museum exhibition each explore contemporary issues--personal, political, and cultural--by integrating the centuries-old traditional imagery, techniques, and materials found in Tibetan Buddhist art with modern influences and media. Tradition Transformed represents the unique position of this groundbreaking generation of Tibetan artists that includes Gonkar Gyatso, Tenzing Rigdol, Losang Gyatso, and Dedron. Several of the artists were born in Tibet while others come from Nepal or one of the large Tibetan settlements in India. Three continue to work in their Himalayan homelands, though the majority have emigrated to Europe and the United States. All have benefited from the possibilities of technology, travel, and personal artistic freedom, which inform their individual responses to the complex interaction between the traditional and the modern in both art and culture.

June 11, 2010 - October 18, 2010
Tradition Transformed: Tibetan Artists Respond

The Rubin Museum of Art

Friday, July 30, 2010

ZWELETHU MTHETHWA: An Interview With Larissa Leclair


from the “Interiors” series
Photograph (c) Zwelethu Mthethwa /All Rights Reserved

From the series Sugar Cane, 2006
Photograph (c) Zwelethu Mthethwa /All Rights Reserved

from the “Interiors” series
P
hotograph (c) Zwelethu Mthethwa /All Rights Reserved


Larissa Leclair teamed with Flak Photo's Weekend series featuring photographs by Zwelethu Mthethwa. Larissa corresponded with Zwelethu as he prepared to travel from South Africa to the U.S. for the opening of “Inner Views” at the Studio Museum in Harlem, July 15-Oct 24. They talked about his monograph, his Sugar Cane series, the South African photography community, and about the current show at the Studio Museum in Harlem. Below is an excerpt from their Interview courtesy of Larissa Leclair.

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LL: Your work as a whole addresses the economic and political reality of marginalized communities primarily in South Africa. Can you talk about your personal interest in these communities and professions (miners, sugarcane workers, etc.). Are you personally an outsider or is there more of a connection to these people and circumstances -politically, economically, culturally?

ZM: The work is about my personal history and personal observation. I grew up in contact with these different communities all the time. I was always interested in how the migrant workers would be ostracized from the main community, which was the community that I came from. The migrant workers were always seen as “the other” – they looked different, talked different, dressed different – they were just so different. As a kid I was curious to understand the dynamics of these differences, mainly because we were all black, I assumed we were all the same. Growing up as an artist I came to realize that I was also an outsider because with my views on life I probably didn’t belong to any of the communities, even the mainstream community.

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My first attraction to the sugar cane workers was that they were wearing skirts, and that they looked to me like Samurai warriors. I then found out that, not only were they wearing skirts, but also many other layers of clothing. This was odd to me because Durban is an incredibly hot and humid area. I thought they must be crazy to be wearing so many clothes and still doing manual labor. I discovered, through speaking with them, that the reason was to protect themselves from the burning ground and soot (sugar cane is burnt before harvested); from the very sharp leaves of the cane; and also from the many snakes that like to live in sugar cane fields. The most difficult part of taking these photographs was stopping them from working. These guys are paid according to the weight of sugar cane that they harvest; there is no hourly rate. I felt guilty that I was interrupting and taking their money away from them by asking them to pose for me. So this forced me to move in and out as quickly as possible, interrupting their flow of production as little as possible.

Read The Entire Interview Here

Zwelethu Mthethwa: Inner Views
Exhibition July 15-October 24, 2010

The Studio Museum in Harlem
144 West 125th Street, NYC

Saturday, July 17, 2010

ZWELETHU MTHETHWA: Flak Photo Weekend

Zwelethu Mthethwa Monograph from The Aperture Foundation
Flak Photo
is giving away 3 copies of this book to their Facebook fans!
Exhibition
The Studio Museum in Harlem July 15-Oct 24, 2010

From the series Sugar Cane, 2003
Photograph (c) Zwelethu Mthethwa /All Rights Reserved

From the series Sugar Cane, 2007
Photograph (c) Zwelethu Mthethwa /All Rights Reserved

Untitled
Photograph (c) Zwelethu Mthethwa /All Rights Reserved


From the series Interiors, documenting the domestic lives of migrant workers around Johannesburg, South Africa. Photograph (c) Zwelethu Mthethwa /All Rights Reserved

Flak Photo July Weekend features work of South African photographer, Zwelethu Mthethwa. There's a link to the beautiful Photographer Video's. Worth the time to view or just listen to them. And incredibly Flak Photo is giving away 3 copies of the book to their Facebook fans! Join here

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"Since Apartheid's fall in 1994, South African photography has exploded from the grip of censorship onto the world stage. A key figure in this movement is Zwelethu Mthethwa, whose portraits powerfully frame black South Africans as dignified and defiant individuals, even under the duress of social and economic hardship.

Photographing in urban and rural industrial landscapes, Mthethwa documents a range of aspects in present-day South Africa, from domestic life and the environment to landscape and labor issues. His stunning portraits often portray rural immigrants on the margins of South African cities, revealing the efforts of his subjects to maintain their cultural identities through their choices in clothing, and the decoration of their dwellings. His singular oeuvre challenges both traditional conventions of African commercial studio photography and Western documentary work, marking a transition away from the typical exoticized images that encapsulate what curator Okwui Enwezor describes as "afro pessimism."


Zwelethu Mthethwa: Inner Views
Exhibition July 15-October 24, 2010

The Studio Museum in Harlem
144 West 125th Street, NYC

Thursday, July 15, 2010

CAMILLE SILVY: 19th Century Modern Life

Adelina Patti as La Somnambula, 1880-1881.
(Patti was a highly acclaimed Opera diva of the time)
Photograph (c) National Portrait Gallery, London

Sarah Forbes Bonetta Davies, Goddaughter of Queen Victoria, with her husband James Pinson Labulo Davies. September 15, 1862. Photograph (c) National Portrait Gallery, London

Camille Silvy with a Boy, August 1859
Photograph (c) National Portrait Gallery, London

View of the House, ca 1862
Photograph (c) National Portrait Gallery, London

Henry Ker Seymer's Dog, 1860
(
HKS was a
Member of Parliament for Dorset)
Photograph (c) National Portrait Gallery, London

John Robert Townshend, 1st Earl Sydney, 1860
Photograph (c) National Portrait Gallery, London

Honore de Balzac, 1862
Photograph (c) National Portrait Gallery, London

CAMILLE SILVY
Photographer of Modern Life: 1834-1910

"Camille Silvy was a pioneer of early photography and one of the greatest French photographers of the nineteenth century. Working under the patronage of Queen Victoria, Silvy photographed royalty, aristocrats and celebrities. He also portrayed uncelebrated people, the professional classes and country gentry, their wives, children and servants. The results offer a unique glimpse into nineteenth-century society through the eyes of one of photography's outstanding innovators.

This exhibition includes many remarkable images which have not been exhibited since the 1860s. The over 100 images,
including a large number of carte de visites, focus on a ten-year creative burst from 1857-67 working in Algiers, rural France, Paris and London, and illustrates how Silvy pioneered many now familiar branches of the medium including theatre, fashion and street photography."


Monday, June 21, 2010

INEZ VAN LAMSWEERDE & VINOODH MATADIN: FOAM Fotografiemuseum



Me Kissing Vinoodh (Passionately), 1999
Photograph
©Inez van Lamsweerde and Vinoodh Matadin/All rights reserved

Bjork (Poisson-Nageur)
Photograph
©Inez van Lamsweerde and Vinoodh Matadin/All rights reserved

Clint Eastwood – The New York Times Magazine, 2005
Photograph©Inez van Lamsweerde and Vinoodh Matadin/All rights reserved

PRETTY MUCH EVERYTHING: PHOTOGRAPHS 1985-2010
FOAM FOTOGRAFIEMUSEUM AMSTERDAM
June 25-Sept 15, 2010

"Dubiousness is at the base of practically every image they make. Their work is ambiguous in every sense of the word and balances deliberately on the thin rope between fashion and art, perverting both worlds, mirroring the strangeness of everyday life through an extreme enlargement of a singular part."

Amsterdam's Foam FotografieMuseum exhibition, Pretty Much Everything, spans 25 years of work of the world famous photographic duo, Inez van Lamsweerde and Vinoodh Matadin. Inez and Vinoodh began their work together in 1986 in Amsterdam. Now, 25 years later, with their campaigns for fashion houses such as YSL, Chanel, Balmain, Gucci, Louis Vuitton and Chloe, and with regular publications in W Magazine, Vogue and The New York Times, they are among the few artists that have successfully crossed the line drawn between fashion and art and have managed to simultaneously maintain careers in both fields. Art, fashion and portrait works all exist next to each other in the exhibition. By disregarding any chronological order the combination of images are based on personal, formal, social, political and intuitive associations that show the way the artists have lived with the images for 25 years. Anthology Pretty Much Everything (Steidl)

Wednesday, April 21, 2010

RIJKSMUSEUM: Radiant Madonnas April 21

A restorer works on the painting Ariadne on Naxos (16th century), by the Italian painter Girolamo dai Libri, in the studio of the Rijksmuseum in Amsterdam, the Netherlands. Photograph©EPA/MARCEL ANTONISSE.

The photograph above isn't part of any photo contest or fine art exhibition, but I love the whole scene. It arrived via the artdaily blog where you can read the entire piece.

"The Rijksmuseum, in Amsterdam, has launched an ambitious restoration program. Masterpieces specially selected from their collection will undergo an intensive restoration process to ensure that they shine like never before by the time the museum’s main building re-opens in 2013...The initial results of this work go on display April 21, 2010 in the Philips Wing where the Rijksmuseum will be exhibiting the Radiant Madonnas – three round Italian Renaissance paintings that have been restored with the help of the latest research methods and will be presented as ‘reborn acquisitions from the museum’s own collection’."

The Rijksmuseum, Amsterdam