Showing posts with label Architecture. Show all posts
Showing posts with label Architecture. Show all posts

Thursday, February 3, 2011

THOMAS KELLNER: Photography In Art

London, Tower Bridge, 2001
Photograph (c) Thomas Kellner /All Rights Reserved

(click to enlarge these images)


Budapest Parliament, 2006
Photograph (c) Thomas Kellner /All Rights Reserved


Monaco, Royal Palace, 2006
Photograph (c) Thomas Kellner /All Rights Reserved


Beijing, Great Wall of Mutianyu 1, 2006
Photograph (c) Thomas Kellner /All Rights Reserved


"Each photographic work is made up of horizontally placed film strips of up to 1,269 individual pictures. Every single one of these smaller images was taken with the camera from a slightly shifted perspective and subsequently combined into an overall picture, creating an entirely new image."

"To approach something like The Great Wall of China is much more complicated than it looks. Once you reach one of the accessible parts of The Wall, you have to walk, climb, and tumble up and down the path on top of the Wall and the many stairs that have been polished by the feet of thousands and thousands of soldiers, and later by millions of tourists. You have to get away from the mass tourism to find a place of silence. In the way that I work, it is not possible to photograph more than just a little piece out of the thousands of miles of this wall. It takes hours to expose 25 roles of 36-exposure film, or 900 shots, to be finished before the sunset, smog and fog enter the frame. In this image, I started with sunshine in the bottom of the image and ended with less sun towards the top."–Thomas Kellner


German born artist/photographer, Thomas Kellner, creates large scale images that combine photography, collage and moving pictures. His final images are contact prints of the films he shoots—the more film, the larger the final image. If he shoots one film, the size is 20cmx24cm; if he shoots 36 films, the print is 100cmx120cm. Read more here

Sunday, January 23, 2011

ANTHONY JONES: Urban Environment

London Taxis, 1998
Photograph (c) Anthony Jones /All Rights Reserved


Canary Wharf Station
Photograph (c) Anthony Jones /All Rights Reserved

Puddle, London
Photograph (c) Anthony Jones /All Rights Reserved

Man Walking Down a Passageway
Photograph (c) Anthony Jones /All Rights Reserved

Black Dog Portfolio: Street Study II
Photograph (c) Anthony Jones /All Rights Reserved

"I still have that first roll of film (I ever took), it was of Trafalgar Square, the photographs are of the space, the built environment of the square and not the people. I return there often to photograph."
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Anthony Jones is a London based photographer known for his black and white images of the urban environment. He uses a Hasselblad medium format camera. His work has been exhibited at the Victoria and Albert Museum, the National Portrait Gallery, London, and through many galleries, including the John Stevenson Gallery in New York.

Sunday, January 16, 2011

SEAN PERRY: Monolith – Portraits of the New York City Skyline

200 West Street
Photograph (c) Sean Perry /All Rights Reserved

200 West Street
Photograph (c) Sean Perry /All Rights Reserved

200 West Street
Photograph (c) Sean Perry /All Rights Reserved

"The images are presented metaphorically as cynosures,
the stars that illuminate and define our city."

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"Monolith – Portraits of the New York City Skyline" is a sophisticated study of contemporary skyscrapers through the eyes of photographer Sean Perry, recasting the built environment of Manhattan into its most primal forms: concrete, glass, steel, light and air. This work furthers Perry's vision of architecture manifesting the phenomenon of sentience – presence beyond tangible design and mass."

The photographs above of Goldman Sachs new headquarters, known as "200 West Street", are a work-in-progress from Sean Perry's series, Monolith – Portraits of the New York City Skyline, in development with Art Director Greg Wakabayashi. The building, designed by Henry N. Cobb and the architecture firm, Pei Cobb Freed & Partners, was profiled in The New Yorker by Paul Goldberger.

Monday, October 18, 2010

World’s Most Brightly Colored Buildings | Beautiful Colorium edifices

Some buildings are famous for their unique architectural designs but some are well-known for their bright and vibrant colors. Colorful buildings are truly attractive edifices. Here are some of the world’s most colorful buildings.
First World Hotel – Malaysia
The colorful and beautiful First World Hotel in Malaysia is the third largest hotel in the world by rooms. The hotel has 3 towers of

Tuesday, December 8, 2009

STING: St. John The Divine Rehearsal

Sting Rehearsal with Ira Coleman on bass, St. John the Divine Cathedral
Photograph (c) Eleonora Alberto

Performing at Rehearsal, left, Kathryn and Peter Tickell on fiddles,
Sting,
Ira Coleman on bass, guitarist Dominic Miller
Photograph (c) Eleonora Alberto


Sting Rehearsal with Music Director Robert Sadin and the Newark Boys Chorus, St. John the Divine Cathedral Photograph (c) Eleonora Alberto

"Winter is about inspiration and imagination"–Sting
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STING Winter Concert Rehearsal. St. John the Divine Cathedral's medieval architecture was the setting for Sting's private "family and friends" winter concert rehearsal last night. (I was a lucky friend of a friend). The Gothic/Romanesque backdrop of the Cathedral only added to the haunting beauty of the songs performed from Sting's album "If On A Winter's Night" that included madrigals to traditional Gaelic folk music.

Sting was
accompanied by an ensemble of 35 musicians, including friend and long time colleague, guitarist Dominic Miller, Ira Coleman (double bass) and four remarkable musicians from his hometown (Sting called them "Geordies") in Northeast England, near the Scottish border : Kathryn Tickell (fiddle and Northumbrian pipes) and brother Peter Tickell (fiddle) Julian Sutton (melodean) and Mary MacMaster (metal string Scottish harp). With Robert Sadin as Music Director, the guest artists included Vincent Ségal (cello), Daniel Hope (violin), Chris Botti (trumpet), Ibrahim Maalouf (trumpet), Cyro Baptista (percussion), Bijan Chemirani (percussion) and the three fabulous backup singers from NYC and Australia. The Newark Boys Chorus joined all of them for a beautiful chorus. I'm sorry to those I've left off. The evening was unbelievably beautiful and perfectly conjured up the seasons holiday Spirits.

Photographer Eleonora Alberto was there
to photograph the performance which included her husband, Brazilian percussionist Cyro Baptista. She was gracious enough to allow me to post some of the evenings highlights. Many thanks to Susan Forristal for the invite.

Monday, October 19, 2009

SEAN PERRY: Celestial Triptych


HASSELBLAD 501CM

Hasselblad Masters of Photography Finalist 2009

Camera: Hasselblad 501CM
9 West 57th Street (c) Sean Perry /All Rights Reserved

Camera: Hasselblad 501CM
The Sentinels (c) Sean Perry /All Rights Reserved

Camera: Hasselblad 501CM
Astor Place Tower (c) Sean Perry /All Rights Reserved

Camera: Sigma DP2
Celestial series (c) Sean Perry /All Rights Reserved

Camera: Sigma DP2
Celestial series (c) Sean Perry /All Rights Reserved

Camera: Sigma DP2
Celestial series (c) Sean Perry /All Rights Reserved

Sigma Corporation of America asked Sean Perry and three other professional photographers to shoot with their DP2 14-mega pixel digital camera and submit their three best images for exhibition. Laurence Matson, master digital printer and DP2 User Group guru, printed the final images. Sigma On-line Gallery
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I’m delighted that Sigma included me in their exhibition for PhotoPlus Expo 2009. I was asked along with Chip Forelli, Paula Lerner, and Stephen Mallon to make pictures with a Sigma DP2 for a few weeks - the only request being "make something awe-inspiring"... no pressure in that, right? I have photographed with the same camera for almost 10 years, a Hasselblad 501CM and though I almost always work in black in white, I like to play with color.

Saul Leiter and Jeff Brouws just kill me with inspiration.

After reading about the philosophy behind the DP2 I thought this would be a meaningful challenge and was honestly not disappointed. I believe the camera has a beautiful response to light and liked the rendering and palette so much I decided to make color images for the show - a loose triptych that echoes a celestial feel. I’m looking forward to sharing the photographs, they were a joy to make. I hope you find them playful and unexpected.
–Sean Perry
SEAN PERRY WEBSITE

PhotoPlusExpo Exhibits Oct. 22- Oct.24
Sigma DP2 Gallery and Hasselblad Masters of Photography Finalist 2009