Showing posts with label Arizona. Show all posts
Showing posts with label Arizona. Show all posts

Saturday, November 7, 2009

WILLIAM R WILSON: Auto Immune Response


CLICK ON IMAGES TO ENLARGE!


Auto Immune Response
Photograph (c) William R Wilson /All Rights Reserved

Auto Immune Response #2
Photograph (c) William R Wilson /All Rights Reserved

Auto Immune Response #4
Photograph (c) William R Wilson /All Rights Reserved

Auto Immune Response #5
Photograph (c) William R Wilson /All Rights Reserved

Auto Immune Response #6
Photograph (c) William R Wilson /All Rights Reserved

Auto Immune Response #10
Photograph (c) William R Wilson /All Rights Reserved

"Throughout my work I have focused on photographing Navajo People and our relationship to the land. While portraying this relationship I have always been aware of how our representation has never been without consequence."

The Museum of Contemporary Native Arts, Santa Fe, N.M., announced William R Wilson (Navajo) has been selected to oversee the Vision Project, a Ford Foundation grant initiative. Wilson's first undertaking will be to oversee the history of the Contemporary Native American Art Movement in a book featuring Native artists from the U.S. 15 scholars will write up to four essays each on living artists who have made considerable contributions who vary in age and media.

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WILLIAM WILSON, Dine’ (Navajo), born in San Francisco, CA, moved permanently to the Navajo Reservation when he was 10. He earned a MFA in Photography, with a focus on the History of Photography, at the University of New Mexico and a BA in art history and studio art from Oberlin College, OH.

In Wilson's Auto-Immune Response Series (above), he set out to photograph the Navajo people in relationship to the land, including figures to represent his people and himself. In the photographs, a luminal figure or pair of figures wearing gas masks appear in different dramatic natural places; in the area of the Grand Canyon and in upstate New York near the Finger Lakes. This post-apocalyptic man survey’s what appears to be a pristine and expansive landscape and wonders what has gone wrong. For the Auto-Immune Response Series Wilson received the prestigious Eiteljorg Fellowship for Native American Fine Art. The Series was a solo exhibition at the National Museum of the American Indian, Smithsonian Institute, New York, NY and the Heard Museum, Phoenix, AZ. His work is in the Collections of the National Museum of the American Indian, Smithsonian Institute, Washington D.C., the Heard Museum, Phoenix, AZ, the University of New Mexico Art Museum, Albuquerque, NM, the Juane Quick To See Smith Private Collection, Corrales, NM among others.

Wilson, an artist, photographer, and arts educator, has taught sculpture at the Institute of American Indian Arts in Santa Fe, N.M., photography at Oberlin College and the University of Arizona and served two years as a photojournalist in Central America for the Associated Press. From 2000-2005, Wilson was the co-director of the Barrio Anita Community Mural Project, the largest public art commission in Tucson, Arizona's history. BAMP features a 12,000-square-foot mural alongside the Interstate 10 sound barrier wall. The project involved the creation of a multi-media Arts Center for the community. The Arts Center features digital photography, Venetian glass tile photo-mosaic, metal work and more.
View the BAMP Murals:
North Contzen Street Mural and Ouray Park Mural
Will Wilson Creates Indianapolis Mural video


William R Wilson Website

Thursday, September 3, 2009

PETROGLYPHS: V-Bar-V Ranch

Petroglyphs, V-Bar-V Ranch, Verde Valley, Arizona

V-Bar-V Heritage site is the largest known petroglyph site in the Verde Valley (located outside of Sedona), as well as one of the best preserved. The Rock Art above is considered to be from an advanced settlement of the Southern Sinagua people who occupied the area between A.D. 1150 and 1400.

Sunday, August 30, 2009

JEFFREY AARONSON: Borderland

Saguaro Cactus, AIO Highway, Arizona, 2007
(c) Jeffrey Aaronson/All rights reserved

Border Patrol, All Terrain Vehicles, Laredo, Texas, 2008
(c) Jeffrey Aaronson/All rights reserved

Sister Maria, Palomas, Arizona, 2007
(c) Jeffrey Aaronson/All rights reserved


The border between the United States and Mexico is a construct beginning at the Pacific, snaking through the southwest desert and ending in the Gulf of Mexico. The borderland, the zone existing near the frontier, is an area of messy vitality by virtue of the collision of cultures living within it's boundaries. To live in the borderland is to live at the end of the country, the last place before another place starts.

JEFFREY AARONSON was born in Hollywood, California and lives and works in Santa Barbara. He traveled the border of the United States and Mexico, "a region of low-rise towns and deserts dotted with saguaro cacti and aluminum trailers", in search of cultural phenomena. Aaronson's work has been exhibited at Galerie Kashya Hildebrand, Zurich and N.Y., Photo Miami, Houston Center for Photographys 27th Anniversary Members Exhibition (Juror´s Commendation from Katharine Ware), David Floria Gallery, Aspen, Colorado and Scope Basel. He was a 2009 Critical Mass Finalist, nominated for the 2009 Santa Fe Prize 2009, won the 2002 Graphis Award from American Photography, among several others. Jeffrey was one of 100 photographers invited to participate in Review Santa Fe 2009. Please click on images to see the photographs enlarged.

Jeffrey Aaronson Website
Galerie Kashya Hildebrand, Zurich