Showing posts with label Reggae. Show all posts
Showing posts with label Reggae. Show all posts

Sunday, January 31, 2010

BIG YOUTH: Screaming Target


"Big Youth was one of the most influential DJs on the Jamaican scene in the 1970s, helping to popularize the tradition of singers "toasting" over records. The shrieks that kick off the title track command the listener's attention immediately, and belie Big Youth's jazzy, laid-back style. "Screaming Target" is a clarion call for Jamaica's youth to educate and better themselves, and typifies Big Youth's cool, mesmerizing performance with razor-sharp, socially conscious lyrics. "Screaming Target" is still on the shortlist of historically important reggae albums decades after its release."

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I don't know the photographer for the covers of Big Youth's first full-length debut album, Screaming Target, or his later Dreadlocks Dread, but the preceding post on Bob Marley prints at Snap Galleries reminded me to go in search for them. Screaming Target has some killer cuts Big Youth made with then 20 year-old producer Gussie Clarke. Both continue to be my all time favorite reggae albums ever. At an early Big Youth concert long ago, we watched as two men had to hold him up to get on stage and prop him up throughout the entire incredibly pure stoned-out stream-of-consciousness performance. Screaming Target: Big Youth, with background vocals by Gregory Isaacs, Dennis Brown, K.C. White.

BOB MARLEY PRINTS: Snap Gallery

Bob Marley, Positive Vibrations II
Photograph (c) Dennis Morris
/All Rights Reserved


Bob Marley, Live at Lycheum
Photograph (c) Dennis Morris /All Rights Reserved

Bob Marley, Kings Road, London
Photograph (c) Dennis Morris
/All Rights Reserved


Bob Marley, Leeds, 1974
Photograph (c) Dennis Morris /All Rights Reserved

"It was while bunking off school to wait for Bob Marley to arrive for his soundcheck at the Speak Easy Club on London's Margaret Street that Dennis's music photography career really began. Bob Marley was so taken with the young teenager who was waiting for him that he invited Dennis to come along and take pictures on the remainder of the tour. Running home to Dalston, Dennis packed his bag and jumped on the bus. His photographs of Marley and The Wailers became famous the world over, appearing on the cover of Time Out and Melody Maker before Dennis had even turned 17."